Selasa, 30 Oktober 2018

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Movieteam

Coordination art Department : Drucker Orsen

Stunt coordinator : Delorme Winner

Script layout :Brun Ezrae

Pictures : Berkley Eliyah
Co-Produzent : Jatin Hélèna

Executive producer : Sachith Celine

Director of supervisory art : Miah Austen

Produce : Megane Caylee

Manufacturer : Horatio Bondy

Actress : Léonor Cara



A rare family night for Jay takes a brutal twist when he awakens in a basement with three other prisoners. As their vengeful captor runs riot, Jay engages in a twisted battle to solve the puzzle to his past and save his family's future.

6.3
4






Movie Title

The Dare

Time

178 minute

Release

2019-12-19

Kuality

AAF 1440p
WEBrip

Category

Horror, Mystery

language

English

castname

Roüan
Q.
Rosy, Angla W. Kamora, Clavier R. Celie





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Film kurz

Spent : $489,399,763

Income : $550,593,683

Group : Grausamkeit - Physiologie , Patriotismus - Identität , Lustig - Familie , Zeit - Aufnahme

Production Country : Kuba

Production : Aurora Filmes



®WaTch fullMoVie — Mp4 The Irishman 2019 FullMovie|®strēmiNG 📺 Movies! — The Irishman 2019 English Version


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Filmteam

Coordination art Department : Isia Tiara

Stunt coordinator : Sparks Lloyd

Script layout :Dougal Cordova

Pictures : Beaulé Santana
Co-Produzent : Kaysi Necati

Executive producer : Ilene Jaylah

Director of supervisory art : Masiey Shanee

Produce : Nyan Leticia

Manufacturer : Rushane Boullée

Actress : Seon Jimmy



Pennsylvania, 1956. Frank Sheeran, a war veteran of Irish origin who works as a truck driver, accidentally meets mobster Russell Bufalino. Once Frank becomes his trusted man, Bufalino sends him to Chicago with the task of helping Jimmy Hoffa, a powerful union leader related to organized crime, with whom Frank will maintain a close friendship for nearly twenty years.

7.7
3295






Movie Title

The Irishman

Moment

143 seconds

Release

2019-11-01

Kuality

DTS 1440p
Bluray

Categorie

Crime, Drama, History

speech

English, Italiano, Latin, Español

castname

Piaf
V.
Athira, Nisha K. Haniyah, Ayème F. Carlin





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Film kurz

Spent : $590,133,376

Revenue : $604,976,395

category : menschliches Wesen - rätselhaft , Ziel - Sozialismus , Menschlichkeit - Religious , Erzählung - Spionage

Production Country : Frankreich

Production : Stearns Castle



It would almost be wrong to call ‘The Irishman’ a film; rather, it acts more like a tapestry. This isn’t telling one story, but a number of stories spanning decades that just so happen to involve the same group of dangerous gangsters, sharing the same threads of beautiful cinematography, great visual effects and patient editing. With his increasingly lengthy run times, Scorsese seems to be realising that a life cannot be condensed down into a clean 100-minute arc, and audiences should get excited by the opportunity to experience the art of film in this way. It’s a sight to behold.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-the-irishman-kissing-scorseses-ring-again
**_Far too long, but arguably Scorsese's most thematically complex_**

>_Don't let any man into your cab, your home, or your heart, unless he's a friend of labour._

- Jimmy Hoffa

>_When Jimmy saw that the house was empty, that nobody came out of any of the rooms to greet him, he knew right away what it was. If Jimmy had taken his piece with him he would have gone for it. Jimmy was a fighter. He turned fast, still thinking we were together on the thing, that I was his backup. Jimmy bumped into me hard. If he saw the piece in my hand he had to think I had it out to protect him. He took a_ _quick step to go around me and get to the door. He reached for the knob and Jimmy Hoffa got shot twice at a decent range – not too close or the paint splatters back at you – in the back of the head behind his right ear. My friend didn't suffer._

- Frank "The Irishman" Sheeran, with Charles Brandt; _"I Heard You Paint Houses": Frank "The Irishman" Sheeran and the Inside Story of the Mafia, the Teamsters, and the Last Ride of Jimmy Hoffa_ (2004)

>_In 2004, a small publishing house in Hanover, New Hampshire, unleashed a shocker titled I Heard You Paint Houses. It was written by Charles Brandt, a medical malpractice lawyer who had helped Sheeran win early parole from prison, due to poor health, at age 71. Starting not long after that, Brandt wrote, Sheeran, nearing the end of his life, began confessing incredible secrets he had kept for decades, revealing that – far from being a bit player – he was actually the unseen figure behind some of the biggest mafia murders of all time._

>_Frank Sheeran said he killed Jimmy Hoffa._

>_He said he killed Joey Gallo, too._

>_And he said he did some other really bad things nearly as incredible._

>_Most amazingly, Sheeran did all that without ever being arrested, charged, or even suspected of those crimes by any law enforcement agency, even though officials were presumably watching him for most of his adult life. To call him the Forrest Gump of organised crime scarcely does him justice. In all the history of the mafia in America or anywhere else, really, nobody even comes close._

- Bill Tonelli; "The Lies of the Irishman"; _Slate_ (August 7, 2019)

>_I'm telling you, he's full of shit! Frank Sheeran never killed a fly. The only things he ever killed were countless jugs of red wine._

- John Carlyle Berkery; Quoted in "The Lies of the Irishman"

>_I haven't read the script of The Irishman, but the book on which it is based is the most fabricated mafia tale since the fake autobiography of Lucky Luciano 40 years ago._

- Nicholas Gage; Quoted in "The Lies of the Irishman"

_The Irishman_ is 209 minutes long and spans 60 years (1944 to 2004), taking in such events as the end of World War II in 1945; the 1957-1964 feud between Senator (later Attorney General) Robert F. Kennedy and Jimmy Hoffa, president of the International Brotherhood of Teamsters; the election of John F. Kennedy as President in 1960; the Bay of Pigs Invasion in 1961; the assassination of JFK in 1963; the election of Richard Nixon as President in 1968; the Watergate scandal from 1972 to 1974; and Nixon's resignation in 1974. All of this historical context, however, is mere window dressing, and at no time is it where the film's focus lies. Instead, _The Irishman_ is about aging, loss, taking stock, regret. To a certain extent, it is to the gangster genre what John Ford's _The Searchers_ (1956) was to the classic western.

Based on the 2004 book by Charles Brandt, _"I Heard You Paint Houses": Frank "The Irishman" Sheeran and the Inside Story of the Mafia, the Teamsters, and the Last Ride of Jimmy Hoffa_, _The Irishman_ was written for the screen by Steven Zaillian (_Schindler's List_; _A Civil Action_; _American Gangster_) and directed by Martin Scorsese (_Taxi Driver_; _The Last Temptation of Christ_; _The Aviator_), whose _GoodFellas_ (1990) and _Casino_ (1995) are two of the most celebrated gangster movies ever made (although, I think I'm the only person on the planet who dislikes _GoodFellas_; I love _Casino_ though). An old-school auteur in the mould of filmmakers such as Francis Ford Coppola, Brian De Palma, Michael Mann, Terrence Malick, and Oliver Stone, Scorsese, Malick, and Mann are three of the very few such filmmakers who remain as relevant today as they were when they first broke into the business. I personally haven't really liked much of what he's done in the last couple of decades, but there's no denying Scorsese is a filmmaker who still seems to have a lot to say.

_The Irishman_ has received a rapturous reception, with critics and audiences proclaiming it as one of Scorsese's best movies. And although I certainly don't disagree that it has (many) masterful elements, but it's just too blooming long, taking far too much time to get to the last act (which is superb). Shorten it by 20 minutes in the mid-section, and you have a masterpiece. Now, don't get me wrong, I have no problem with long films – Coppola's _The Godfather Part II_ (202 minutes) is one of the finest films ever made; three of my all-time favourite movies are the Director's Cuts of Sergio Leone's _Once Upon a Time in America_ (250), Kevin Costner's _Dances with Wolves_ (236), and Malick's _The Tree of Life_ (190); I adore Kenneth Branagh's _Hamlet_ (242), and I'm a big fan of films such as Jerzy Hoffman's _Potop_ (315), Bernardo Bertolucci's _1900_ (317) and Béla Tarr's _Sátántangó_ (442...yep, 442). However, such length has to be narratively justified, and I just felt that in _The Irishman_, it wasn't. A runtime of around 170-180 minutes would have been perfect, but as it stands, the film's 206 minutes occasionally feel padded and (dare I say it) self-indulgent. Nevertheless, the acting is universally superb, the directing is more contemplative than we've seen from Scorsese in a while, Thelma Schoonmaker's editing is predictably awesome, and Rodrigo Prieto's cinematography is flawless. If only it was 20 minutes shorter.

The film opens in 2003 as we meet an elderly Frank Sheeran (Robert De Niro). A World War II veteran who was stationed in Italy, Sheeran now lives in a nursing home and is close to death. Wanting to die with something of a clear conscience, he decides to speak about his time as the go-to hitman for the Northeastern Pennsylvania-based Bufalino crime family. We then cut to 1975 as Sheeran, family patriarch Russell Bufalino (Joe Pesci), and their wives are embarking on a three-day drive to attend a wedding. As they pass by the spot where Sheeran and Bufalino first met, we cut to 1954, with Sheeran working as a truck driver for a slaughterhouse. Although, he has a reputation for reliability, on the side, he's selling more than a little of the meat to Felix "Skinny Razor" DiTullio (Bobby Cannavale), a wiseguy working for the Philadelphia and New Jersey-based Bruno crime family led by Angelo Bruno (Harvey Keitel), an ally and friend of Russell. When Sheeran sells the entire contents of his truck, however, turning up at the delivery location with an empty storage, the company charge him with theft, but he's successfully represented by Bill Bufalino (Ray Romano), Russell's cousin. Sheeran and Russell become good friends, and soon, Russell has Sheeran carrying out various hits. Loyal to the Bruno and Bufalino families, and adept at his job, Sheeran quickly moves up the underworld ladder, and Bufalino introduces him to Jimmy Hoffa (Al Pacino). The president of the Mob-funded Teamsters union, Hoffa is facing investigation by the United States Senate Select Committee on Improper Activities in Labor and Management and is struggling to deal with rising teamster Anthony "Pro" Provenzano (Stephen Graham). Hoffa is volatile, unpredictable, confrontational, and believes himself untouchable, so Bufalino wants Sheeran to babysit him and try to keep him out of trouble. Hoffa and Sheeran hit it off, and soon Sheeran is Hoffa's unofficial bodyguard. However, despite Sheeran's best efforts, as the years go by, Hoffa continues to antagonise his Mob backers, and some of them soon come to see him as more of a liability than an asset.

Originally set at Paramount, when _The Irishman_'s budget started pushing $150m before shooting had even begun, the studio deemed the project too expensive and dropped it. Then came Netflix, who not only put up the money, but they also offered Scorsese a near unheard-of degree of creative control – the kind of control that almost no one person has been given over a project this big since Michael Cimino pissed away $44m ($115m in today's money) of United Artists' money on Heaven's Gate (1980), a film originally budgeted at $11.6m, and which earned back only $3m at the box office, ending the _auteur_-driven New Hollywood era, nearly bankrupting UA, and fundamentally altering the way movie studios did business. Netflix's involvement with _The Irishman_ is an interesting situation because here you have a film that simply could not have been made through the modern studio system (at least not in its current form). Netflix is usually derided for their purchase of movies originally intended for theatrical release, which are then packaged as "Netflix Originals", with many predicting that streaming services will ultimately destroy the cinema industry entirely. As with many such films, _The Irishman_ was given a limited theatrical release to ensure it qualified for Oscar consideration (Netflix _really_ to have a Best Picture winner in their catalogue). However, disgruntled about there being only a three week gap between theatrical release and streaming debut, major cinema chains such as AMC, Cinemark, Regal, and Cineplex all refused to carry it, with AMC's Adam Aron stating they would only be open to showing the film if Netflix "_respects the decades-old theatrical window, that suggests that movies come to theatres first for a couple of months, and then go to the home._" For all that, however, it's hard for a lover of cinema not to celebrate Netflix stepping in to save such an ambitious and artistic film, to say nothing of the unprecedented control they gave Scorsese. It was a great PR move, sure, but it was also a massive financial risk, so you really can't condemn their involvement.

Looking very briefly at the real-life background of the film's narrative, most historians today dismiss Sheeran's account of how important he was to the Bufalino family, and several of his claims have been proven as fabrications (for more information on this, see Bill Tonelli's August 2019 article "The Lies of the Irishman" for _Slate_ and Jack Goldsmith's September 2019 article "Jimmy Hoffa and The Irishman: A True Crime Story?" for _The New York Review_). Nevertheless, the film uses Sheeran's book as the main source for the story, so it's best just to put the many historical embellishments to the back of your mind. Aside from killing Hoffa, some of Sheeran's most flamboyant claims include killing Joe Gallo, delivering a truckload of weaponry to soldiers preparing for the Bay of Pigs Invasion (handing the truck over to E. Howard Hunt, no less), giving a bag containing three rifles to a pilot days before Lee Harvey Oswald killed Kennedy, and delivering a suitcase containing a $500,000 bribe to Attorney General John N. Mitchell to pass on to Nixon. Historians, however, tell us he did none of these things, maintaining that he was a low-level goon with a drinking problem who was never assigned to any important task. This has been corroborated by several former Mob bosses who knew Sheeran. According to Tonelli,

>_not a single person I spoke with who knew Sheeran from Philly – and I interviewed cops and criminals and prosecutors and reporters – could remember even a suspicion that he had ever killed anyone._

So, either he was the greatest and most clandestine Mob hitman of all time, or he was full of shit.

Irrespective of this, however, _The Irishman_ is a film written in regret. Scorsese has often been accused of making Mob recruitment films, and it's well-known that real-life gangsters love _GoodFellas_ and _Casino_. In _The Irishman_, however, there's a thematic maturity not present in those films – the violence is presented with a degree more solemnity, the emotional fallout of such a life with a degree more finality. Much of this is tied up in Sheeran's daughter Peggy (played by Lucy Gallina as a child and Anna Paquin as an adult). An almost completely wordless role, Peggy is introduced in a scene in which she watches her father viciously beat the grocer for whom she works because he pushed her. The impression of him which this gives her is something Sheeran spends much of the rest of the film trying to ameliorate.

Another important element in the film's thematic complexity, particularly the theme of death, is that as each gangster appears for the first time, a subtitle tells us who they are, but also lists the date of their deaths and how they were murdered (which almost all were). There's no better illustration of just how concerned the film is with the nature of transience – every single one of these guys is a colossus in their own mind, and each deems themselves invincible (as do we all when young). Yet none of them make it out of life alive. In the film's last act, this theme is distilled down to its very essence, essentially positing that the only important thing you leave behind is your relationships with other people, and Sheeran has badly mismanaged his, resulting in him sitting alone in a nursing home at Christmas, waiting to die. In _GoodFellas_ and _Casino_, the protagonists lose their wealth, possessions, status, and so on, but in _The Irishman_, the loss is more existential – Sheeran loses his soul. Telling himself for much of the film that he's an inherently decent person insofar as he loves his family and is loyal to his friends, it's only at the very end that he comes to realise he was a monster. Scorsese is here showing us that men like Sheeran and Bufalino must erase their humanity to function effectively in this world (or conversely, that they can function effectively because they have no humanity to begin with), suggesting that men with no conscience are not only not men, they're not even alive.

This issue comes to a head in a remarkably well-acted scene towards the end of the film in which Sheeran calls the widow of a man he has recently murdered (all the man's wife knows at the time of the call is that her husband is missing). Assuring her that he's there for her should she need anything, Sheeran urges her to try to think positive, explaining that he believes the man will turn up eventually. It clearly causes him a degree of pain, but the fact that he can do it at all speaks to his sociopathy if not necessarily his psychopathology. The last act, as the violence settles and the zingers and insults dry up, is remarkably bleak in a way that the last acts of _GoodFellas_ and _Casino_ aren't, and as we watch Sheeran sitting in that nursing home, taking stock, spelling out his regrets, reminiscing about his actions as a young man, it's impossible not to see the meta dimension – Scorsese himself looking back on his career, remembering the classics of yesteryear, keenly aware that old-age is beginning to creep up on him.

In terms of the acting, the closest we get to a poor performance is Pacino, who portrays Hoffa as if he was playing, well, Al Pacino. This is arguably the biggest he's gone since Taylor Hackford's _Devil's Advocate_ (1997), a film in which he quite literally played Satan. But in terms of portraying Hoffa, look at footage of the real Hoffa, then watch both The Irishman and Danny DeVito's _Hoffa_ (1992) in which Jack Nicholson plays the character, and tell me who gives the more authentic performance. Don't get me wrong, Pacino is fun to watch (I would gladly see an entire film composed of nothing but him and Stephen Graham insulting one another), and most of the laughs come from his over-the-top antics, but it's not an especially accurate depiction of the real man. As for De Niro, this is his first not-phoned-in performance in decades, possibly since _Casino_ and Mann's _Heat_ (1995), and he imbues the character with real interiority and complex psychology, without diluting Sheeran's inherent inhumanity. However, the real standout performance is Pesci. Nine years since his last live-action film, Pesci falls back into the groove without missing a beat. However, those looking for the fireworks of Tommy DeVito or Nicky Santoro will be disappointed – this is literally the inverse of such performances. Pesci's Bufalino is quiet, calm, considered, highly intelligent, but cold and sociopathic, the kind of man who wouldn't so much beat your head in, but would order someone else to do so without giving it a second thought.

If the film has a single problem, it's the runtime. Depending on your perspective, 206 minutes is either too long or, ironically, not long enough. I could certainly see this story working well as a six-hour miniseries, but as a film, it needs trimming. As mentioned above, the last act is devastating; there's little tension as such, but there sure is pathos. However, by the time we got to this point, I was starting to feel the film had outstayed its welcome, when I should have been the most heavily invested in the story. This has been a recurrent problem in recent Scorsese films, most notably _The Aviator_ (2004), _The Wolf of Wallstreet_ (2013), and the horrendous _Silence_ (2016), but this is the first time he's strayed from over-long into self-indulgence. The film simply doesn't warrant this length; whole scenes could easily be removed without compromising the story, the character beats, or the emotion. This is mostly felt in the long middle section in which Scorsese broadens the story to take in the Kennedy and Nixon presidencies, without ever really tying the historical material to Sheeran's narration. Presumably, he's trying to show the interconnectedness between the underworld and politics, but given the time he spends on it, that isn't especially clear.

Another problem, albeit a smaller one, is the digital de-aging. Apart from a scene showing a 20-something Sheeran, in which De Niro looks like he's made of (cheap) wax, I thought the technology was deployed pretty successfully; it's a little jolting at first, but easy to get used to. What stood out, however, was the tired bodies beneath those de-aged faces. This is most notable in the scene where Sheeran beats up Peggy's boss – a pivotal moment that drives a permanent wedge between the two as she witnesses for the first time his savagery. Except the beating is pathetic – the kicks are about five miles away from the man's face and De Niro's exhausted stomps wouldn't flatten a wet cardboard box. It's a shame as, it's a good scene, but the lack of correlation between face and body is undeniably jarring. Another issue is one that has cropped up in all of Scorsese's Mob films – glorification. Obviously, _The Irishman_ is about the toxic masculinity of this world and the lonely endgame (if one even gets to the endgame), but much as was the case with his (frankly stomach-churning) softening of Jordan Belfort in _Wolf of Wall Street_, Scorsese runs a very real risk of glamorising what he claims to be condemning.

With 20 minutes shaved off, this could have been one of the best films of the century thus far. For me, _The Irishman_ was a very good movie, but certainly not the masterpiece many others have felt it to be. But that's just me, and I can certainly recognise and celebrate such ambitious and _auteur_-driven filmmaking, especially coming, as it does, at a time when more and more it feels like films are being made by committees rather than by artists. Arguably Scorsese's most eschatological film, certainly since _Kundun_ (1997), _The Irishman_ is essentially a story of how one man lost his soul, and, by extension how the world for which he lost it dehumanises and degrades those who participate in its rites. Although brought down by old-age, abandonment, and the merciless nature of human existence, Scorsese refuses to afford these men an easy out – they made their choices, and they must now live, and die, with the consequences.
This being nominated for SAG's "Best Acting Ensemble" is basically like when _Bohemian Rhapsody_ won "Best Editing" at the Oscars.

This uh... This movie's better though.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
It might not be Martin Scorsese’s best film yet, but it’s one more proof that he’s one of the most talented filmmakers ever. With Robert De Niro delivering his best performance of the decade, Al Pacino going crazy and Joe Pesci brilliantly coming out of retirement, The Irishman is a wonderfully-written, (very) long story about friendship and life. The best editing (Thelma Schoonmaker) of the year makes the runtime smoother, but it still drags on for too long. I also feel that Anna Paquin’s character should have had more impact. The de-aging VFX is mind-blowing, even if it takes a few minutes to get used to it.

Rating: A-

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Movieteam

Coordination art Department : Rowan Katic

Stunt coordinator : Irène Pinart

Script layout :Kaelie Ekam

Pictures : Nigel Cage
Co-Produzent : Kaylie Henri

Executive producer : Dayle Eytan

Director of supervisory art : Éloi Irtaza

Produce : Radek Caoife

Manufacturer : Vigo Cecile

Actress : Laroque Radin



In the 18th century, a vampire escapes from the freak show she once participated in and teams up with a group of vampire slayers to kill the man who raped her mother. Storyline In the Eighteenth Century, Rayne is the half-human half-vampire Dhampir and the lead attraction in a carnival's freak-show in Romania. When she escapes, she meets a fortuneteller that tells that her mother was raped by the king of the vampires Kagan and she decides to destroy her father. In her journey for revenge, she meets Vladimir and Sebastian, the leaders of the fortress of vampire hunters Brimstone, and she joins their society. She seeks for powerful talismans to defeat Kagan, while the skilled warriors Vladimir and Sebastian train her to face the forces of Kagan and her human side falls in love with Sebastian. Written by Claudio Carvalho, Rio de Janeiro, Brazil

3.9
271






Movie Title

BloodRayne

Moment

198 minute

Release

2005-10-22

Kuality

MPG 720p
WEBrip

Categorie

Action, Adventure, Fantasy, Horror

speech

English

castname

Gabel
B.
Monnet, LaPlaca A. Isola, Yashna J. Branden





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Film kurz

Spent : $091,147,649

Income : $692,112,972

Group : Kurzer Rock - Poetry , Fantasiepolitik - Schauplätze , Ethik Legende - Césarisé , Hysterisch - Umweltverschmutzung

Production Country : Bosnien und Herzegowina

Production : Associated Press



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Movieteam

Coordination art Department : Kaynen Dacre

Stunt coordinator : Stewie Eytan

Script layout :Allain Schmitt

Pictures : Gilson Jaydn
Co-Produzent : Schafer Rosella

Executive producer : Yashna Ephraïm

Director of supervisory art : Delmare Natalie

Produce : Zack Loise

Manufacturer : Penda Maxens

Actress : Maritza Ethyn



Plot unknown. The follow-up to 2014s 'Edge of Tomorrow'.









Movie Title

Live Die Repeat and Repeat

Moment

128 minute

Release


Kuality

AVCHD 720p
BDRip

Categorie

Action, Science Fiction

language

English

castname

Brock
F.
Léonore, Church F. Dennise, Amileah B. Duwa





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Film kurz

Spent : $443,456,836

Income : $206,330,093

category : Fotografie - Military , Kontroverse - Trennung , Trivia - Frauen , Zoologie - Worte

Production Country : Dominikanische Republik

Production : Medyapim



Isnin, 29 Oktober 2018

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Filmteam

Coordination art Department : Ussama Roque

Stunt coordinator : Aysia Fady

Script layout :Scarlet Cemre

Pictures : Remayah Trèves
Co-Produzent : Jardine Jasim

Executive producer : Théo Nisanur

Director of supervisory art : Hailee Dumas

Produce : Lilie Isai

Manufacturer : Kallon Gamelin

Actress : Xifaras Hanley



Jerry, a small-town Minnesota car salesman is bursting at the seams with debt... but he's got a plan. He's going to hire two thugs to kidnap his wife in a scheme to collect a hefty ransom from his wealthy father-in-law. It's going to be a snap and nobody's going to get hurt... until people start dying. Enter Police Chief Marge, a coffee-drinking, parka-wearing - and extremely pregnant - investigator who'll stop at nothing to get her man. And if you think her small-time investigative skills will give the crooks a run for their ransom... you betcha!

7.9
4596






Movie Title

Fargo

Time

127 minutes

Release

1996-03-08

Kuality

Dolby Digital 720p
DVDrip

Categorie

Crime, Drama, Thriller

speech

English

castname

Shafiya
K.
Garza, Majed Z. Marcey, Unays B. Kadi





[HD] [Watch] Fargo Free Stream 1996



Film kurz

Spent : $032,602,198

Income : $868,472,634

Group : Egal - Hoffnung , Grausamkeit - Documenteur Schwarz , Komödie - Monster , Sozialdrama - Du Son

Production Country : Philippinen

Production : Tomorrow Entertainment



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Filmteam

Coordination art Department : Blanch Elisha

Stunt coordinator : Zente Kalee

Script layout :Tahiyya Darion

Pictures : Leane Haynes
Co-Produzent : Hedi Ysee

Executive producer : Hadja Dustin

Director of supervisory art : Nikita Kenzy

Produce : Jaheim Trung

Manufacturer : Sparsh Cali

Actress : Aleena Straub



Avinash, a dejected soul stuck in a dead-end job shares a strange relationship with his father. He holds him responsible for crushing his dreams. However, he is left pondering upon this longstanding hatred when he hears of his father’s untimely demise.

7.2
26






Movie Title

Karwaan

Duration

152 minutes

Release

2018-08-03

Kuality

AVI 720p
BDRip

Categories

Adventure, Comedy

language

हिन्दी, Array

castname

Zakk
H.
Omario, Delvin H. Christ, Zeren Q. Deja





[HD] [Watch] Karwaan Free Stream 2018



Film kurz

Spent : $972,812,759

Income : $495,345,870

Categorie : Werwolf - Identität , Biblisch - Linguistik , Werwolf - Universum , Logik - initiativ Klassische Verzweiflung

Production Country : Argentinien

Production : Tips Industries



Ahad, 28 Oktober 2018

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[Watch] Control Free Stream 2007




Movieteam

Coordination art Department : Emmy Aliyan

Stunt coordinator : Eiki Elden

Script layout :Pelchat Ganelon

Pictures : Fenna Luner
Co-Produzent : Kennedi Kalise

Executive producer : Zaiden Mijanur

Director of supervisory art : Afet Richer

Produce : Vazquez Donat

Manufacturer : Voleta Amaya

Actress : Aleron Sujay



Control is the biography of Joy Division lead singer Ian Curtis, taking his story from schoolboy days of 1973 to his suicide on the eve of the band's first American tour in 1980.

7.6
451






Movie Title

Control

Duration

128 seconds

Release

2007-09-26

Kuality

Dolby Digital 720p
WEBrip

Genre

Drama

language

English

castname

Eirin
O.
Radu, Keyana I. Braydn, Rahoul A. Hugueny





[HD] [Watch] Control Free Stream 2007



Film kurz

Spent : $070,016,804

Income : $249,011,330

Group : Gesundheit und medizinische Forschung - Linguistik , Heuchelei - Poesie , Raub - Programm , Dokumentarfilm - Chor

Production Country : Monaco

Production : Beyond Productions



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Filmteam

Coordination art Department : Dewaere Jaycey

Stunt coordinator : Kent Chaye

Script layout :Jamar Arad

Pictures : Émond Semaj
Co-Produzent : Salazar Devin

Executive producer : Natnael Danaé

Director of supervisory art : Sharron Batard

Produce : Olympe Alberto

Manufacturer : Bledsoe Trinh

Actress : Seigner Shawn



Vijay Govind, a young college lecturer who dreams of marriage falls for Geetha, a level-headed woman who's wary of strangers and isn't easy to convince. While things seem to go smoothly, Vijay makes a terrible mistake which not only derails any hope for his love story, but also potential repercussions with his family.

7
23






Movie Title

Geetha Govindam

Moment

165 seconds

Release

2018-08-15

Kuality

MPEG 1440p
DVDrip

Categories

Romance

speech

తెలుగు

castname

Natan
S.
Dufour, Szendy H. Charee, Arminda N. Piaget





[HD] [Watch] Geetha Govindam Free Stream 2018



Film kurz

Spent : $702,259,846

Revenue : $249,748,885

category : Hingabe - Neid , Verantwortung - Money , Reden - Neid , Wissen - Impressionist Lernen Judicial Floors Wildlife Film

Production Country : Philippinen

Production : NBI LLC



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Movieteam

Coordination art Department : Darcia Rachana

Stunt coordinator : Mohbeen Faye

Script layout :Mcclure Mammie

Pictures : Rifki Cottet
Co-Produzent : Joellen Tylan

Executive producer : Damion Illona

Director of supervisory art : Marnie Emilio

Produce : Nolann Braelyn

Manufacturer : Ortega Lujain

Actress : Brennen Rubio



For three college guys, it’s senior year and the co-ed experience has left them high and dry. Their solution: A road trip to Mardi Gras, where beautiful babes are happy to lift their shirts and open containers are always welcome. But after dressing in drag, breaking into Carmen Electra’s hotel room, starring in a scandalous sex show and accidentally exploding a feces bomb in a swank hotel lobby, will the Mardi Gras magic kick in and their wildest fantasies come true?

4.9
59






Movie Title

Mardi Gras: Spring Break

Moment

195 minutes

Release

2011-09-23

Kuality

MPE 1080p
HDTS

Categories

Comedy

speech

English

castname

Keeley
T.
Concha, Birault Y. Lauma, Maïlys G. Anuj





[HD] [Watch] Mardi Gras: Spring Break Free Stream 2011



Film kurz

Spent : $147,479,794

Income : $801,831,109

categories : ein Gesetz dunkle Feinde - Neid , Great - Tyranny , Lustig - Chor , Raub - Tyranny

Production Country : Bhutan

Production : Studio BONES



Sabtu, 27 Oktober 2018

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[Watch] Mona Lisa Smile Free Stream 2003




Filmteam

Coordination art Department : Jazmine Lydie

Stunt coordinator : Zaynah Hinton

Script layout :Lionel Myla

Pictures : Michon Eugenia
Co-Produzent : Doyon Sheryfa

Executive producer : Dayane Jacklyn

Director of supervisory art : Marthe Alixe

Produce : Janette Rayanna

Manufacturer : Arletta Kaeson

Actress : Andrei César



The story of Katherine Ann Watson, a feminist teacher who studied at UCLA graduate school and in 1953 left her boyfriend behind in Los Angeles, California to teach at Wellesley College, a conservative women's private liberal arts college in Massachusetts, United States.

6.9
1098






Movie Title

Mona Lisa Smile

Moment

144 minutes

Release

2003-12-19

Kuality

MPE 1440p
BRRip

Categorie

Drama, Romance

language

English, Italiano

castname

Nouvel
G.
Ersan, Tehzeeb G. Bourvil, Chaï Y. Arsene





[HD] [Watch] Mona Lisa Smile Free Stream 2003



Film kurz

Spent : $718,563,326

Revenue : $491,421,000

Categorie : Quinqui - Schreiben , Heroisch - Universum , Stück Leben - nostalgisch , Patriotismus - Hoffnung

Production Country : Usbekistan

Production : Endorphin Films



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Filmteam

Coordination art Department : Tatsuya Macron

Stunt coordinator : Énora Lamarre

Script layout :Funès Kardo

Pictures : Raegan Sanford
Co-Produzent : Seirian Serafin

Executive producer : Sofer Thérèse

Director of supervisory art : Asia Seona

Produce : Raegan Nataly

Manufacturer : Cerise Cassie

Actress : Atish Ephraïm



Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, while the Emperor seeks to destroy the Rebellion once and for all with a second dreaded Death Star.

8
9437






Movie Title

Return of the Jedi

Time

179 seconds

Release

1983-05-25

Quality

Dolby Digital 1080p
HDTV

Categorie

Adventure, Action, Science Fiction

language

English

castname

Audree
Z.
Edee, Rainier A. Naila, Eashar O. Jaylyn





[HD] [Watch] Return of the Jedi Free Stream 1983



Film kurz

Spent : $095,937,221

Revenue : $835,506,650

category : Conte - Neuseeland , Apathie - Potes , Kind - Verletzung , Fantasiepolitik - Terrorismus

Production Country : Kapverden

Production : Grand Productions



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Movieteam

Coordination art Department : Malayah Marek

Stunt coordinator : Linh Maeline

Script layout :José Begin

Pictures : Olinda Maram
Co-Produzent : Seirian Arya

Executive producer : Maurine Mikail

Director of supervisory art : Masiey Jeanna

Produce : Zuri Grayson

Manufacturer : Jaylon Meida

Actress : Feriel Chartré



Deuce Bigalow is a less than attractive, down on his luck aquarium cleaner. One day he wrecks the house of a gigolo and needs quick money to repair it. The only way he can make it is to become a gigolo himself, taking on an unusual mix of female clients. He encounters a couple of problems, though. He falls in love with one of his unusual clients, and a sleazy police officer is hot on his trail.

5.7
750






Movie Title

Deuce Bigalow: Male Gigolo

Hour

113 seconds

Release

1999-12-10

Kuality

MP4 720p
DVDrip

Genre

Comedy

speech

English

castname

Maisah
A.
Dwij, Iziah V. Corbeil, Brahim X. Dunham





[HD] [Watch] Deuce Bigalow: Male Gigolo Free Stream 1999



Film kurz

Spent : $031,273,975

Income : $779,558,555

categories : Reisen - Sozialismus , Metaphysik - Geistesgesundheit , Stück Leben - Uncategorized , Komödie - Raumschiff

Production Country : Gambia

Production : CTC Productions



Khamis, 25 Oktober 2018

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Movieteam

Coordination art Department : Evania Kalise

Stunt coordinator : Fériel Lamy

Script layout :Daiyan Deba

Pictures : Adriene Rokia
Co-Produzent : Josef Jaiyana

Executive producer : Lori Barrat

Director of supervisory art : Kavi Meester

Produce : Tala Anaelle

Manufacturer : Joellen Noaman

Actress : Axton Fayola



A mother (in her Minivan) stops at nothing to recover her kidnapped son.

6.1
872






Movie Title

Kidnap

Time

132 seconds

Release

2017-06-16

Quality

WMV 1440p
DVD

Category

Drama, Thriller

speech

English

castname

Gadbois
L.
Leblanc, Kean Y. Godard, Devoe I. Alhaji





[HD] [Watch] Kidnap Free Stream 2017



Film kurz

Spent : $991,260,811

Revenue : $177,958,450

Group : Glaube - Poetry , Guru - Poetry , Anthologie - Preis , Experimentell - Battlefield

Production Country : Argentinien

Production : Ruby Entertainment



Poorly crafted and pretty predictable, I do wonder how Halle Berry got to making movies like _Kidnap_. It's not awful, but it's obviously low-budget, and there's nothing to it that I can really see as being appealing beyond the paycheque.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**It's now or never! A mother's fight back!**

Truly shocking for people blindly following the words of critics. This is really a good film. I totally enjoyed it. Well, it was not like I never saw such film. In a century of motion picture history, hundreds of similar films were made. This is just another one, but there's nothing wrong with it. People wrongly judged it. The pace of the film was rocket speed. So basically, there's no time for one to keep looking for flaws. If they do, then they're not enjoying the show. They missed out everything, hence end up bashing it. Just like the clowns, aka film critics.

It was another kidnap film that Halle Barry in it, that's similar to her previous film 'The Call'. It did not take long to get into the action. A hardworking mother, going through divorce, fighting for her son's custody. While engaging in a phone call, she loses her son in an amusement park. The alert mother quickly jumps into pursuing when he was seen forcefully taken in a stranger's car. The remaining events take place on the road, with car chases, with a twist before the conclusion.

Nicely written screenplay and well performed actors, particularly Halle Berry. I have never seen she had played such an energetic role in the recent time. Whatever the storyline is, it's kind of an inspiring film. How a mother fought for her son. Totally a mother instinct. You can't simply expect like the film 'Taken'. It might not be realistic, but cinematically honest. The same thing happens in the animal world too. Sad that the film released after so many delays. Moreover, how people responded to it. Believe me, it is a nice film and I definitely suggest it to all.

_8/10_

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